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January-February 2005 Newsletter
CD Reviews
Corky Siegel 7 tracks/62:34
The back cover of the Corky Siegel release asks Is it the Blues? Is it Classical? They are certainly valid questions when you combine Corky’s blues harmonica sounds with a four piece string section with two violins, viola and cello. Add Frank Donaldson on tabla plus other percussion and you have an eclectic mix that might have some of you wondering why you’re reading about this recording in your blues society newsletter. Well, Siegel has been pushing the boundaries of blues music for over 30 years, most notably with his 1971 recording with Seiji Ozawa and the San Francisco Symphony. His incredible harp playing that serves as the foundation for this group. He weaves his mournful cries in a call-response with the string section on “Manhattan Island”. The strings have a chance to shine as Siegel lays out on the first part of “Serenade”. When he finally appears, he blows the blues right back into focus. On “The Woofy Girl Stroll”, Corky switches to piano to start as the string section riffs along in support. When the strings each take a solo, you can hear hints of blues in each passage. Then Siegel goes back to his harp and leaves no doubt that the blues are in town. With great sound and the spontaneity of live performances, this recording challenges the way you listen and hear music. But make no mistake, it is the blues and a mighty fine effort from Siegel and friends. |
